The type styles are fairly similar, though, and some fonts are even the same. Just compare this set of covers to another one by ABBA from around the same time. Listed below is the official font that is used in the Black Sabbath heavy metal band: Download the Black Sabbath font About the Black Sabbath typeface Black Sabbath was an English rock band founded in 1968 in Birmingham by Tony Iommi, Geezer Butler, Bill Ward, and of course, Ozzy Osbourne. There was no well-defined genre typography yet, it was all still “pop type”. /rebates/2fcollections2fvolumefour-font-ryan-corey&. In most cases, the bands had no word in the design decisions. Those were often made by local divisions of record labels and distributors. On the international single sleeves, though, the styles are all over the place. This is different for the album: With the stylized blackletter on the cover, it’s instantly clear what kind of music it contains. ![]() Its bold forms and naturally tight spacing evoke the era which spawned such classics as Snowblind and Supernaut, bringing this aesthetic to a contemporary. None of the featured typefaces is inherently “metal” or “hard rock”. What is the VolumeFour font VolumeFour is a heavy, geometric sans-serif display face inspired by the custom lettering which adorns Black Sabbath’s groundbreaking Vol 4. What I find more interesting is the fact that there were hardly any genre-specific typeface preferences yet. It also bears an arrow motif on its hands and collar. Its body is riddled with small cables giving the impression of stitches. Black Sabbath appears as a large humanoid with a Venetian carnival mask-styledW head, bound in a dark laced cloak and Venetian hat. Now one could ask the chicken-and-egg question: Were those typefaces trending that were offered by the type providers? Or did the font makers respond to the current trends? Black Sabbath (, Burakku Sabasu) is the Stand of Polpo, featured in Vento Aureo. Eight out of 14 typeface designs originated in phototype and dry transfer, four were created in the previous three years. ![]() ![]() At the same time, we see various sans serifs, ranging from classics to contemporary heavyweights ( Antique Olive Compact, Neil Bold) and new interpretations of Art Deco themes ( Washington, Premier Shaded), to futuristic ones ( Handel Gothic). There’s the multiline/Op art theme ( Black Line), the unearthed turn-of-the-century oddities ( Tintoretto, Frankonia) including the hippie revival of Jugendstil/Secession forms ( Dreamline), and the amorphous, bottom-heavy styles ( Bottleneck, Putty Bold) that had come in fashion shortly before. The covers provide a cross section of what was popular in display type at the time, although it’s difficult to make out one common trend. Try a search!įive very different sleeve designs from various European countries for “ Sabbath Bloody Sabbath”, the opening title track and first single release from Black Sabbath’s album of the same name, released in late 1973 with “Changes” as B-side.
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